In the faked interview transcripts which were 'done' with the former Romania footballer Miodrag Belodedici earlier this year, he went into some detail about the most momentous event of his childhood.
Belodedici recalled, as a five-year-old living on the border between Serbia and Romania, watching the Yugoslav cup final on television, and how he had been swept away with emotion as Red Star Belgrade carried off the trophy.
That day, the 'baby' Miodrag, as he called himself, made it his life's ambition to play football for the biggest club in the old Yugoslavia - and he did so, with his crowning glory coming in Bari in the spring of 1991 as Red Star (or Џрвена Звезда*, Crvena Zvezda, as they are known in Serbia) became European champions - the only team ever to do so from the Balkans.
So this much we know: Belodedici dreamt, and Belodedici eventually did, like a fairytale. When I spoke to him, though, he was less forthcoming about the pressure, both internal and external, that existed as he lived through his greatest night in southern Italy.
It must surely have been there, and he must surely have felt it. I understand pressure and expectation and hope and other such intangible things to be as all-encompassing as the pull of gravity, and I can appreciate how ruinous they are when not respected, or, accordingly, when respected too much.
So for Belodedici to be aware, in the European Cup final against Marseille, that one slip or misjudgement would cost Red Star everything - how did he carry that knowledge with him and manage to function normally? The team were playing anyway with a very defensive mindset; none of the players wanted to be the one who erred fatally and cost Red Star the tournament.
There was, then, a human frailty to the greatest club side the former Yugoslavia ever produced, a collective fear of being beaten. They had iron in the soul, and the unabashed brilliance which had humiliated Bayern Munich in the semi-final had been forgotten, to be replaced with this torpor.
They were not beaten, though, and a goalless draw after extra-time condensed the outcome of the final into a penalty shoot-out. Belodedici took Red Star's third kick, and scored. He was not the master of his own dream, but where he could steer it, he did. It was for Darko Pancev to convert the winning penalty, and to realise what, 20 years later, the fictional Belodedici said was his life's ambition.
______________________________________________________________________________
Pressure for Belodedici, then, is his life rearing up before his eyes as he prepares to take Red Star Belgrade's third penalty in the European Cup final.
Belodedici doesn't miss: he puts the ball in the corner and walks away with his fist pumping, a half-smile crossing his lips. It's placed so perfectly that the goalkeeper can't hope to get close to it, his fingers clutching at the air as the ball flies past him and inside the post.
Pressure for the rest of us comes in more everyday, but no less important, circumstances. I am reminded of this on today, December 5, the second anniversary of the last time I saw Bluefish. There was a moment of tension similar to that experienced by Belodedici as he stepped up to the penalty spot, when all concepts become one, the Perpignan which all roads thus far have led up to.
She and I had spent part of the morning in an antiques shop, and suddenly the impulse was upon me to act. My eye had seen it, and the impetus was there to act, and act immediately.
*I read earlier that, one day, it’s likely Serbians will have to vote on which alphabet(s) they want to use: Latin, Cyrillic, or both? I am already campaigning in my head for the retention of Cyrillic.
Sunday, 4 December 2011
Thursday, 1 December 2011
Choices.
Your author uses the idea of the persona of Ertugrul Osman to express the concept of having lost something, for few of us, like him, have ever had to relinquish an empire.
This was Ertugrul's fate, for he was born just as the Ottoman Empire he'd have ruled began to take its last shallow breaths, and it had expired before he had the chance to steer it.
The choices open to Ertugrul after this setback are the choices open to all of us after having lost something dear to us, or, perhaps worse still, having seen a dream dashed just at the point when it was close to being realised.
Ertugrul could have:
1) shrugged his shoulders at the loss and carried on without a second thought, in a manner which is uncommon to most of us. The Ottoman state is dead, but I persist without it.
2) accepted his lot with a straight face, beneath which writhed feelings of devastation that were never properly dealt with.
3) summoned such rage that he set about reconstructing the empire from its roots, and made it his life's work - and when there is such an all-consuming imperative, it almost ceases to matter whether or not one succeeds.
4) split his mind into two parts - one which 'knew' the empire was lost, and which more often than not held sway when Ertugrul and the world interact. Sometimes, though, it was easy to believe the falsehood that all was as it had ever been. The Sublime Porte continues to radiate its influence across a vast sweep of the globe, and the culture built up from a tribe of 13th-century Muslim wanderers still strikes fear into its enemies and joy in its acolytes.
The next morning, you wake up with heaviness in the head, and in the limbs, and in the soul, because it was nothing more than a dream. Like being drunk, you can't properly remember all that happened to you last night, and this amnesia prevents the full horrors of your own mental state being drawn into the light.
This was Ertugrul's fate, for he was born just as the Ottoman Empire he'd have ruled began to take its last shallow breaths, and it had expired before he had the chance to steer it.
The choices open to Ertugrul after this setback are the choices open to all of us after having lost something dear to us, or, perhaps worse still, having seen a dream dashed just at the point when it was close to being realised.
Ertugrul could have:
1) shrugged his shoulders at the loss and carried on without a second thought, in a manner which is uncommon to most of us. The Ottoman state is dead, but I persist without it.
2) accepted his lot with a straight face, beneath which writhed feelings of devastation that were never properly dealt with.
3) summoned such rage that he set about reconstructing the empire from its roots, and made it his life's work - and when there is such an all-consuming imperative, it almost ceases to matter whether or not one succeeds.
4) split his mind into two parts - one which 'knew' the empire was lost, and which more often than not held sway when Ertugrul and the world interact. Sometimes, though, it was easy to believe the falsehood that all was as it had ever been. The Sublime Porte continues to radiate its influence across a vast sweep of the globe, and the culture built up from a tribe of 13th-century Muslim wanderers still strikes fear into its enemies and joy in its acolytes.
The next morning, you wake up with heaviness in the head, and in the limbs, and in the soul, because it was nothing more than a dream. Like being drunk, you can't properly remember all that happened to you last night, and this amnesia prevents the full horrors of your own mental state being drawn into the light.
Tuesday, 29 November 2011
Bridge.
It was J, my South African ex-girlfriend, who told me that your cats come back to you in the end.
We were sleeping in a tent in Mpumalanga, or cuddled together at her house in Johannesburg, when she broke this news to me.
I dismissed it in my usual way: you and your African shamanism. But she insisted it's true, even if I cannot accept it as being the truth.
That's your problem, said J - if it's not in front of your eyes, you don't care. There are things in the universe, though, that you cannot perceive with sight alone. You must listen to them with your soul and with your intuition, and then all will be revealed.
With that in mind, J continued, it is my contention that your cats return to you after their death. The colours are different, yes, but there is something nevertheless consistent about each one that marks it out as significant.
My eyes rolled mockingly. Are you sure, J? Are you sure? Your talk about evidence that my eyes can't process is a neat cop-out, and I feel it leaves a huge gap in your argument.
Danny was put to sleep on November 10 last year, and as far as I am concerned, that is as far as it goes. There is no extension to his existence; no return, and he sinks ever-further into the recesses of memory.
There is now another cat, and I was astonished when the vet told me this tiny ball of fluff is two years old. It cannot be - I am convinced you're wrong. Later, the vet conceded - yes, I overestimated. I was out by half, and New Cat is no more than 12 months old.
This puts the birth of New Cat at around the same time as the departure of Danny. Like the Dalai Lama, you cannot anoint a new one until the incumbent has died. Now I find myself suppressing the idea that a cat's repertoire is small anyway, and feigning surprise that Danny's dislike of being picked up from the floor is shared by New Cat; that both sniff the breeze before deciding whether to venture outside or not; that both shift into a playful mood when my fingers make ripples on the underside of a rug or blanket.
Intuition tells me there's nothing in it, and I said before that sanity breaks down once we begin to associate everything with everything else. The human in me sees connections, however, and I cannot prove that these connections are no more than flickers of the mind.
We were sleeping in a tent in Mpumalanga, or cuddled together at her house in Johannesburg, when she broke this news to me.
I dismissed it in my usual way: you and your African shamanism. But she insisted it's true, even if I cannot accept it as being the truth.
That's your problem, said J - if it's not in front of your eyes, you don't care. There are things in the universe, though, that you cannot perceive with sight alone. You must listen to them with your soul and with your intuition, and then all will be revealed.
With that in mind, J continued, it is my contention that your cats return to you after their death. The colours are different, yes, but there is something nevertheless consistent about each one that marks it out as significant.
My eyes rolled mockingly. Are you sure, J? Are you sure? Your talk about evidence that my eyes can't process is a neat cop-out, and I feel it leaves a huge gap in your argument.
Danny was put to sleep on November 10 last year, and as far as I am concerned, that is as far as it goes. There is no extension to his existence; no return, and he sinks ever-further into the recesses of memory.
There is now another cat, and I was astonished when the vet told me this tiny ball of fluff is two years old. It cannot be - I am convinced you're wrong. Later, the vet conceded - yes, I overestimated. I was out by half, and New Cat is no more than 12 months old.
This puts the birth of New Cat at around the same time as the departure of Danny. Like the Dalai Lama, you cannot anoint a new one until the incumbent has died. Now I find myself suppressing the idea that a cat's repertoire is small anyway, and feigning surprise that Danny's dislike of being picked up from the floor is shared by New Cat; that both sniff the breeze before deciding whether to venture outside or not; that both shift into a playful mood when my fingers make ripples on the underside of a rug or blanket.
Intuition tells me there's nothing in it, and I said before that sanity breaks down once we begin to associate everything with everything else. The human in me sees connections, however, and I cannot prove that these connections are no more than flickers of the mind.
Saturday, 19 November 2011
Thoughts.
My bedroom is a minefield of a hundred different cluttered objects, and I paid the price for this untidiness on Friday night.
The space is effectively partioned into two distinct sections; with the constituent parts of a bed delineating them, and it so happened I'd seen something I needed across the 'impassable' side of the room.
In order to get it (it was a DVD) I stepped up onto the table which houses the keyboard I am typing on, and then shifted my weight onto an askance computer table, intending to use it as a bridge across to the cabinet on which the DVD sat.
The moment my foot made contact with the computer table, I fell through it, landing on the floor some three or four feet below, back-first.
I lay there for two or three minutes, busy exhausting the supply of expletives that I know, and breathing hard. I wondered idly whether I'd broken something, but in truth the damage is superficial - I can feel my back every time I move sharply, and I wince when obliged to do certain motions with my arms. The (laboured) point I wish to make here is that my movement is restricted. I have to think about how to minimise discomfort prior to doing something - it's all un-natural, and forced.
Trying to learn Serbian is the same, and I was thinking about this when sitting with my note-pad, trying to write words in Cyrillic earlier.
I read Cyrillic letter-by-letter, one at a time, and after a couple of seconds am able to deduce that Восна is 'Bosnia'.
Of course, when I see the word in my familiar Latin alphabet, there is no hiatus for calculation, and I am not even able to understand how I read what I read, such is the rapidity of the action. It is like magic, with no conscious process taking place at all.
It is as though my mind fell off the computer table, too, and is having to be deliberate in all that it does lest it sustains further damage.
As I write, there is only one word in Cyrillic that I can read as naturally as I can its English equivalent, and that is the name of Croatia: Хрватска.I don't know why this should be the case, but it is.
I don't know which is best, to read B-O-S-N-A letter-by-letter, or to see 'HRVATSKA' as a composite, beautiful whole, because there is no philosophy or science of language learning that I have happened upon. You just have to sit copying out the alphabet, and the names of countries, and cities, and 'I don't speak Serbian' and 'it is a pleasure to meet you' in these awkward barbed-wire characters.
My back will heal long before the alphabetic schism in my brain is resolved. I take it as a good sign that I am reading the Latin 'y' as a Cyrillic 'u', though - this is the first of many steps.
The space is effectively partioned into two distinct sections; with the constituent parts of a bed delineating them, and it so happened I'd seen something I needed across the 'impassable' side of the room.
In order to get it (it was a DVD) I stepped up onto the table which houses the keyboard I am typing on, and then shifted my weight onto an askance computer table, intending to use it as a bridge across to the cabinet on which the DVD sat.
The moment my foot made contact with the computer table, I fell through it, landing on the floor some three or four feet below, back-first.
I lay there for two or three minutes, busy exhausting the supply of expletives that I know, and breathing hard. I wondered idly whether I'd broken something, but in truth the damage is superficial - I can feel my back every time I move sharply, and I wince when obliged to do certain motions with my arms. The (laboured) point I wish to make here is that my movement is restricted. I have to think about how to minimise discomfort prior to doing something - it's all un-natural, and forced.
Trying to learn Serbian is the same, and I was thinking about this when sitting with my note-pad, trying to write words in Cyrillic earlier.
I read Cyrillic letter-by-letter, one at a time, and after a couple of seconds am able to deduce that Восна is 'Bosnia'.
Of course, when I see the word in my familiar Latin alphabet, there is no hiatus for calculation, and I am not even able to understand how I read what I read, such is the rapidity of the action. It is like magic, with no conscious process taking place at all.
It is as though my mind fell off the computer table, too, and is having to be deliberate in all that it does lest it sustains further damage.
As I write, there is only one word in Cyrillic that I can read as naturally as I can its English equivalent, and that is the name of Croatia: Хрватска.I don't know why this should be the case, but it is.
I don't know which is best, to read B-O-S-N-A letter-by-letter, or to see 'HRVATSKA' as a composite, beautiful whole, because there is no philosophy or science of language learning that I have happened upon. You just have to sit copying out the alphabet, and the names of countries, and cities, and 'I don't speak Serbian' and 'it is a pleasure to meet you' in these awkward barbed-wire characters.
My back will heal long before the alphabetic schism in my brain is resolved. I take it as a good sign that I am reading the Latin 'y' as a Cyrillic 'u', though - this is the first of many steps.
Monday, 14 November 2011
Draft (2).
5) In my teenage years, I had a flair for picking up foreign languages very quickly.
Since those halcyon days, I have turned into Rabbit Angstrom, and the strange new words slide off the glassy surface of my brain and into oblivion.
There can be no arrogant assumptions about taking short-cuts, and information being retained first time, every time, as before - the years have made me wiser, but less of a learning-sponge, and I am aware that amendments need to be made.
I succeeded in re-learning some of the Spanish I knew thanks to a régime of flashcards and repeatedly testing myself with a computer program which asked for the English-Spanish or Spanish-English translation of various idioms, words, or verb-endings, or whatever.
It's laborious, but it works, and I'm prepared to sit and do the same thing for longer until the Serbian tems, and structure, sink in. The talent is still there - I just need someone to believe in it.
If I lock myself away for months, as I intend to do if the School of Slavonic and East European Studies accepts me, then I shall certainly learn to speak and write Serbian to a high level (even if I am presently confounded by the Cyrillic alphabet.... one step at a time.)
That is: I am conscious of the challenge and sacrifice required. Overawed by it I am not.
6) It would be a lie designed to impress you to state that I think of nothing other than Serbia and Croatia; but I do think about them more than I should. Neither of them are my mother-country, but nevertheless they call to me on a regular basis.
I sit here and think I know something: about Tito, about Milosevic, about Milos Obrenovic, about Karadjordje, about Prince Lazar, about the existence of Serbian epic poetry; about Stjepan Rodic; about Gavrilo Princip; about the Ottoman annexation of Bosnia; about the Austro-Hungarians' meddling in Balkan affairs; I think I understand what the four Cyrillic C's on the Serbian flag mean; I think I know why the Bosnian Football Association until recently had not one president but three.
In reality, I know little, and it will take me but days, but hours, with you, to realise this. Nevertheless, I have had a taste of history, and I hope for more than just snatched paragraphs on trains to and from work; when I am falling asleep.
Since those halcyon days, I have turned into Rabbit Angstrom, and the strange new words slide off the glassy surface of my brain and into oblivion.
There can be no arrogant assumptions about taking short-cuts, and information being retained first time, every time, as before - the years have made me wiser, but less of a learning-sponge, and I am aware that amendments need to be made.
I succeeded in re-learning some of the Spanish I knew thanks to a régime of flashcards and repeatedly testing myself with a computer program which asked for the English-Spanish or Spanish-English translation of various idioms, words, or verb-endings, or whatever.
It's laborious, but it works, and I'm prepared to sit and do the same thing for longer until the Serbian tems, and structure, sink in. The talent is still there - I just need someone to believe in it.
If I lock myself away for months, as I intend to do if the School of Slavonic and East European Studies accepts me, then I shall certainly learn to speak and write Serbian to a high level (even if I am presently confounded by the Cyrillic alphabet.... one step at a time.)
That is: I am conscious of the challenge and sacrifice required. Overawed by it I am not.
6) It would be a lie designed to impress you to state that I think of nothing other than Serbia and Croatia; but I do think about them more than I should. Neither of them are my mother-country, but nevertheless they call to me on a regular basis.
I sit here and think I know something: about Tito, about Milosevic, about Milos Obrenovic, about Karadjordje, about Prince Lazar, about the existence of Serbian epic poetry; about Stjepan Rodic; about Gavrilo Princip; about the Ottoman annexation of Bosnia; about the Austro-Hungarians' meddling in Balkan affairs; I think I understand what the four Cyrillic C's on the Serbian flag mean; I think I know why the Bosnian Football Association until recently had not one president but three.
In reality, I know little, and it will take me but days, but hours, with you, to realise this. Nevertheless, I have had a taste of history, and I hope for more than just snatched paragraphs on trains to and from work; when I am falling asleep.
Tuesday, 8 November 2011
Draft.
Six reasons why I wish to begin Serbian/Croatian Studies at SSEES and why I should prove to be an asset to your institution.
Each reason represents one the six republics of the former Yugoslavia.
1) Although I was born in the United Kingdom, I have a decent working knowledge of south-eastern European history, from Stephan Dusan's loss of the Serbian Empire followed by the Battle of Kosovo Polje in the CE14 to the one state of two faiths in the 1840s; from Gavrilo Princip triggering the Second World War, to the machinations of Slobodan Milosevic arguably causing the fission of the Yugoslav state in the late CE20.
2) By the time the course starts, I should already have some sort of grasp of Serbian language, having self-started thanks to one of Jelena Calic's audio-books for beginners. I don't pretend I shall be speaking like a native, but it will be a small buffer of knowledge nevertheless.
3) Such is my level of interest in the language, history and culture of the region that I am prepared to forego secure employment, with decent prospects, in order to learn more. This isn't something I'd do lightly. I realise I shall be most likely working in an off-licence or in a low-ranking office job for the duration of the course, and it is something I accept as necessary if I am to fulfill this ambition, which grows increasingly within me as time passes.
4) I expect that I have more life experience than the majority of applicants to SSEES. Having held down a job since the age of 19, and spent some of the time since that period engaging in Open University courses ranging from Spanish to history, I feel this equips me to re-align myself with full-time study, and yet I retain an interest in and knowledge of the former Yugoslavia gleaned from extensive reading, and the realisation that life throws up challenges unrelated to the results of examinations and the existence of deadlines.
Each reason represents one the six republics of the former Yugoslavia.
1) Although I was born in the United Kingdom, I have a decent working knowledge of south-eastern European history, from Stephan Dusan's loss of the Serbian Empire followed by the Battle of Kosovo Polje in the CE14 to the one state of two faiths in the 1840s; from Gavrilo Princip triggering the Second World War, to the machinations of Slobodan Milosevic arguably causing the fission of the Yugoslav state in the late CE20.
2) By the time the course starts, I should already have some sort of grasp of Serbian language, having self-started thanks to one of Jelena Calic's audio-books for beginners. I don't pretend I shall be speaking like a native, but it will be a small buffer of knowledge nevertheless.
3) Such is my level of interest in the language, history and culture of the region that I am prepared to forego secure employment, with decent prospects, in order to learn more. This isn't something I'd do lightly. I realise I shall be most likely working in an off-licence or in a low-ranking office job for the duration of the course, and it is something I accept as necessary if I am to fulfill this ambition, which grows increasingly within me as time passes.
4) I expect that I have more life experience than the majority of applicants to SSEES. Having held down a job since the age of 19, and spent some of the time since that period engaging in Open University courses ranging from Spanish to history, I feel this equips me to re-align myself with full-time study, and yet I retain an interest in and knowledge of the former Yugoslavia gleaned from extensive reading, and the realisation that life throws up challenges unrelated to the results of examinations and the existence of deadlines.
Tuesday, 1 November 2011
Insanity.
Having allowed The Bell Jar to leak into my bones again in all its bleakness, I set myself wondering what it is that separates (mental) wellness from illness.
It differs for each of us, I imagine, but I can at least begin to enumerate the moments when I feel health begin to drain away from me as a consequence of some thought or other which has just been endured.
The night Bluefish underwent her neck operation is a case in point.
I was 12000 miles away from her during her ordeal, and I might as well have been on Neptune, or stuck in the Andromeda Galaxy for all the support I was able to offer.
When that's the reality, anything I can do is the equivalent of pushing chess pieces around a board in order to influence the outcome, one way or another, on a real battlefield. It is the same as printing a few Monopoly notes and then being puzzled when their introduction doesn't fix the economy.
Yet I played online games throughout the night and set myself high-score targets that had to be met if Bluefish was to get out of the hospital alive. Make a double-century in Little Master Cricket within the next hour, else she'll die. Beat three consecutive real-life players on some word game or other, else she'll die.
This is the point where causality ceases to exist, and it is the start of the long, winding path to mental destruction.
I can envisage the day when I shall need to recite the name of every Ottoman sultan before I permit myself to eat dinner; recite every nation in east Europe and its capital city before I drift off to sleep.
Once cause and effect are gone, so is the illusion of humanity, and every day I am more aware of its recession.
It differs for each of us, I imagine, but I can at least begin to enumerate the moments when I feel health begin to drain away from me as a consequence of some thought or other which has just been endured.
The night Bluefish underwent her neck operation is a case in point.
I was 12000 miles away from her during her ordeal, and I might as well have been on Neptune, or stuck in the Andromeda Galaxy for all the support I was able to offer.
When that's the reality, anything I can do is the equivalent of pushing chess pieces around a board in order to influence the outcome, one way or another, on a real battlefield. It is the same as printing a few Monopoly notes and then being puzzled when their introduction doesn't fix the economy.
Yet I played online games throughout the night and set myself high-score targets that had to be met if Bluefish was to get out of the hospital alive. Make a double-century in Little Master Cricket within the next hour, else she'll die. Beat three consecutive real-life players on some word game or other, else she'll die.
This is the point where causality ceases to exist, and it is the start of the long, winding path to mental destruction.
I can envisage the day when I shall need to recite the name of every Ottoman sultan before I permit myself to eat dinner; recite every nation in east Europe and its capital city before I drift off to sleep.
Once cause and effect are gone, so is the illusion of humanity, and every day I am more aware of its recession.
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